If one of your purposes for picking up the guitar in the first place was to have an instrument to communicate with, you’re going to need to spend time learning the languages—the appropriate scale types, rhythms, motifs, tones and so on—of the styles that you dig. Because the more phrases you can play, the more you’ll be able to say, musically speaking. You’d certainly want to inform yourself about a given subject before talking about it at length, wouldn’t you? Of course the process doesn’t end with being able to play a handful of cool-sounding phrases. You’ll also need to understand how to apply these licks in assorted contexts and keys, and how to string them together to create coherent solos. But more importantly, you should listen to the music you like, just as much as you practice it.
This will help you develop an intuitive sense of continuity in improvisation and composition. Sound like a plan? Let’s lap up some licks. BLUES LICKS Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune. In any form of music, some melodic ideas sound more at a home than others.
Many new chord shapes can be found in these licks and Rich will explain chord make up, substitutions, and inversions. Each one is visually demonstrated slowly on the video and includes a PDF file with each chord lick written in chord grids and standard notation. 2-5-1 DOUBLE TIME JAZZ/BEBOP LICKS. This entry was posted in Blog, Lesson and tagged bebop guitar, bebop guitar exercises, bebop guitar lesson, bebop guitar licks, bebop guitar lines, bebop jazz, bebop jazz guitar, bebop jazz guitar licks, bebop licks, bebop licks for guitar pdf, bebop licks guitar, guitar, jazz guitar, Jens Larsen, licks, must know bebop lick, sonny stitt on.
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